Obsidian Eagle's Blasphemous Bazaar - author central, anti-poetry, indie author

Obsidian Eagle's

Blasphemous Bazaar


META-Poems For A New Millennium

<br>META-Poems For A New Millennium<br><br>

The Flagship of Anti-Poetry — est. 2010 (Author Central)





Meta-Poetics Vol.1: AntiPoetic Rhetoric

Meta-Poetics Vol.1:  AntiPoetic Rhetoric




Author's Note: It has been a year since OE's Blasphemous Bazaar was established.  To commemorate this milestone, the editor will now present what he has learned so far by renouncing the title "Poet" and embracing that of AntiPoet instead.   




AntiPoetic, AntiPoets, AntiPoetry - all these are misnomers because they allude to a new offshoot of Poetics going strong against the grain.

Those who don't believe in or understand AntiPoets and AntiPoetry don't realize how easy it is to reflect what Poets do like backwards letters in a mirror.

Poets cannot fulfill a dialectic of transcendence without first confronting their own shadow and synthesizing right-brain Poetry with left-brain AntiPoetry.

Contrary to what many think, AntiPoets have little antipathy toward Poetry. Instead, they work hard to hone that Art and raise it over Ego.

It often seems as if Poets have forgotten that Poems are not simply a platform for personal aggrandizement but a cultural dialect relevant to all.

Poets are mistaken if assuming that Poetry serves their selfish ends when they are in fact there to act as as spokespeople for inspiration.

Too much of what passes for Poetry is really just self-indulgent tripe with little if any attention to craft. Who teaches Poets to write?

AntiPoets question the sacred place that Poets occupy in literature by challenging and satirizing their counterparts.

New Poets need to read classic and modern Poetry to learn whereas the educated ones need to become more aware of self-reference and repetition.

Adopting a Nom de Plume (Pen Name) is an AntiPoetic maneuver because it makes Poets anonymous and less concerned about their public image.

Some AntiPoets are in fact Poets gone rogue in a literary class struggle between writers and publishers as freelance mercenaries of the Word.

It is evident from their writing that most Poets have little interest in literary theory or linguistics, which is a shame for this art form.

Poems ABOUT Poetry are decidedly AntiPoetic because they must take a critical stand on the art form and who better for the job than Poets?

From an AntiPoetic perspective most regular Poets are conformists and/or narcissists; yet conscientious dissenters are considered elitists.

Since Poets generally neglect to do so, it falls on their AntiPoet counterparts to critique Poetry and engage in thorough exegesis of Poems.

Poets should not be afraid to wax philosophic as well as poetic. Poems can be a properly intellectual exercise
don't dumb down your message!

Philology and Etymology are underused tools in a Poet's repertoire these days. Poems can benefit greatly from semiotics and a ludic logos.

Living Poets tend to be full of themselves while the departed ones are usually recognized for their contributions to the whole of humanity.

Next time you read or write a Poem keep an eye out for first-person pronouns; you might notice how needlessly they are repeated.

Removing first-person pronouns from Poetry is a decidedly AntiPoetic maneuver since Poems tend to be centered around vain Poets.

Even without first-person references, Poems are inescapably personal but removing those words is a step towards broader poetic art.
 
Picasso said that the Artist only ever portrays his/her self, this is equally true of Poets but good Poems can become a transpersonal affair.

Poems centered on the SELF can but don't always have universal relevance. Words may be aesthetically pleasing but even then may lack meaning.

Poetry is not merely a toy or a tool but a higher form of language that can enliven as well as enlighten. Poets should treat it responsibly.
 
Poets are often afraid or altogether incapable of being didactic with verse, as if knowledge was offensive and only pretty words counted.

Poets should not be afraid to offend their audience, sometimes (whether right or wrong) a little upset is necessary to cause upheaval.

AntiPoetry is stricter is some ways than regular Poetry but in other ways it is also far more playful and irreverent to traditional romanticism.

AntiPoets demystify Poetry so as to catalyze mutations in wordplay like physicists take some mystery out of matter to create new inventions.

AntiPoets are really Philosopher Poets; willing to put Poetry under the microscope and dissecting its cultural significance to benefit all.

AntiPoets love Poetry so much that they sacrifice their egos to serve the muses. It takes conviction and courage for Poets to turn.

AntiPoets deliberate on the implicit nature of language in ways that might make a reader uncomfortable as reality is subverted through verse.

AntiPoets use Poetic paradox to undermine the entrapment of language over mind and Rodomontade to inspire humility in Poets.

AntiPoets purposefully huff and puff on the caterpillar-pipe of Bombast and don't mind giving audiences a blast of hot air as iconoclasts.

AntiPoetry launches beyond proper Poetry into semantic spaces where Poems pull the rug out from under readers to send them into mental freefall.

AntiPoets ambush a reader's mind in ways that might be considered dishonorable by regular Poets; using words as weapons in psychic combat.

AntiPoets must work twice as hard as regular Poets to earn half as much respect. Prosaic Poems are not very popular with one's average reader.

Whereas Poets are content to voice verse and be recognized, AntiPoets verse a voice of discontent for confrontational reckoning; a subtle distinction.

Poets toy with Language in their efforts to be published. AntiPoets weaponize Poetry in order to spur metabolic change beyond commercialized publication.

It is too much to ask for most Poets to understand AntiPoets and AntiPoetry since they barely get ordinary Poetry or SELF to begin with.

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